Actor Sanjay Dutt appeared before the National Commission for Women (NCW) in Delhi today, April 27, 2026, in connection with a summons issued regarding allegations of obscenity and vulgarity in the song “Sarke Chunar Teri Sarke.” The track, a featured dance number from the upcoming pan-India Kannada film KD: The Devil, has been at the center of a heated national debate since its release in mid-March 2026.

The Genesis of the Row

The controversy erupted following the release of the Hindi version of the song, which features Sanjay Dutt alongside Nora Fatehi. Shortly after it hit YouTube, the track faced immediate backlash from social media users and activist groups who labeled the lyrics as sexually suggestive, double-meaning, and deeply offensive. Critics argued that the song’s choreography and lyrics objectified women, leading to a surge of complaints filed with the Delhi Police Cyber Cell and the National Commission for Women.

Taking suo motu cognizance of these reports, the NCW initiated formal proceedings, asserting that the content appeared to be in prima facie violation of several legal provisions, including the Bharatiya Nyaya Sanhita, the IT Act, and the POCSO Act. The commission emphasized that the “dignity of women cannot be compromised in the name of creativity,” and subsequently summoned key stakeholders, including actors Sanjay Dutt and Nora Fatehi, the film’s producer Venkat K Narayana, director Kiran Kumar, and lyricist Raqueeb Alam, to explain the nature of the content.

Legal Scrutiny and Public Impact

The intensity of the public outcry led to the song’s swift removal from major digital platforms, including YouTube, to stem the viral distribution of the controversial lyrics. Throughout the investigative process, the commission has maintained a firm stance, with officials issuing multiple notices and final warnings to the parties involved to ensure their presence for hearings.

While Sanjay Dutt made his appearance today to address the commission’s concerns, the broader issue of artistic expression versus public decency continues to be a point of friction. Observers note that the makers previously submitted written apologies, acknowledging the negative impact the song had on public discourse and committing to prioritize more responsible creative choices in future projects. Additionally, the parties involved have reportedly agreed to participate in initiatives focused on women’s empowerment as a remedial step for their involvement in the project.

As the investigation into the song’s production and distribution continues, this high-profile case serves as a stark reminder of the growing institutional scrutiny facing Bollywood’s marketing and creative strategies in an increasingly sensitive public landscape.

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TOPICS: Sanjay Dutt