Taylor Tomlinson, a comedian known for her wit and talent, finds herself at the helm of “After Midnight Show,” a reboot that misses the mark by a considerable margin. The show, a misguided attempt to revive Chris Hardwick’s earlier program, falls into the category of an “awful train wreck” that is almost physically painful to endure. While Tomlinson’s comedic prowess is undeniable, the format and execution of “After Midnight” fail to do justice to her talents.
The original show hosted by Chris Hardwick had its merits, clocking in at a modest 22 minutes and delivering entertainment that ranged from middling to somewhat enjoyable. However, this reboot, doubling the runtime, becomes a painful exercise in endurance. The quasi-game show format, seemingly ill-suited for a late-night slot, makes one question the decision-making behind the scenes.
While Taylor Tomlinson is undoubtedly funny and talented, “After Midnight” appears to be a reboot that no one wanted and no one asked for. The format, which might find a niche on the internet in shorter durations, lacks the appeal and pacing required for a late-night show. The loud and chaotic nature of the show, coupled with excessive crosstalk, only adds to its discomfort.
The critique extends beyond the show’s first episode, as the fundamental issue lies in the choice of format. A game show structure, even if tweaked, seems incompatible with a late-night slot, particularly for a newcomer like Taylor Tomlinson. The plea emerges – either cancel the show altogether or consider a reboot with a more suitable talk show format. It’s a missed opportunity for Tomlinson to shine, as the existing framework limits her potential rather than showcasing it.
In fairness to Taylor Tomlinson, it’s evident that she hasn’t been given a fair shot to succeed. Her comedic prowess and relatable humor deserve a better vehicle for expression. The hope lingers that she will soon land a show more in sync with her talents, allowing audiences to appreciate the genuine humor and wit she brings to the table. “After Midnight Show” stands as a cautionary tale, reminding producers that even a talented host can’t salvage a format that is inherently flawed for its intended slot.
