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The upcoming exhibition and book, “Bring No Clothes,” curated by fashion journalist Charlie Porter, delve into the innovative and boundary-pushing fashion choices of the Bloomsbury Group. This artistic and sexually progressive collective, known for their unique lifestyle, has left an indelible mark on both the world of art and fashion. The exhibition, set to take place at Charleston, the former farmhouse in East Sussex that served as the Bloomsbury Group’s sanctuary, explores how modern fashion designers have drawn inspiration from this avant-garde movement.
Porter’s exploration challenges conventions and opens with bold ensembles from Comme des Garçons, inspired by Virginia Woolf’s gender-fluid novel “Orlando.” The exhibition offers a comprehensive insight into the ways clothing was used by the group’s members, with historical items like Lady Ottoline Morrell’s flamboyant dresses and portraits showcasing the intersection of clothing and art. Additionally, the book and exhibition focus on six key Bloomsbury figures, each exemplifying different aspects of clothing, from nudity to formal suits.
Porter’s unconventional perspective brings a fresh approach to Bloomsbury scholarship, highlighting hidden queer narratives that have often been overlooked. The complex relationship between economist John Maynard Keynes and artist Duncan Grant is unveiled through a photograph, challenging the conventional meaning of a suit and demonstrating its role in negotiations. Porter’s work bridges the gap between personal experiences and cultural exploration, making “Bring No Clothes” a thought-provoking journey into the intertwined worlds of art, identity, and fashion within the Bloomsbury Group.