Martin Freeman speaks out on the Miller’s Girl controversy related to the intimate scene with his co-star Jenna Ortega

The upcoming film “Miller’s Girl,” starring Jenna Ortega and Martin Freeman, has stirred up significant buzz online, primarily due to the controversy surrounding the age gap between the two leads. With Ortega being 18 years old and Freeman 52, many are questioning the appropriateness of the intimate scenes between them.

In response to the controversy, Freeman addressed the issue in an interview with the Times Of London, emphasizing that the film does not endorse such behavior but rather explores the potential relationship dynamics between individuals who are 31 years apart in age. He described the film as “grown-up and nuanced,” clarifying that it does not portray the age gap as something to be celebrated.

Expressing his disappointment at how public opinion often colors discussions about challenging subject matters, Freeman drew parallels with other controversial films, such as Steven Spielberg’s “Schindler’s List,” to underscore the distinction between an actor’s portrayal and their personal beliefs.

Meanwhile, the film’s intimacy coordinator, Kristina Arjona, shed light on the filming process of the intimate scenes, assuring that both Ortega and Freeman were never placed in uncomfortable situations on set. Arjona emphasized the extensive measures taken to ensure Ortega’s comfort and agency throughout the filming process, with numerous discussions held to establish boundaries and ensure that they were respected at all times.

Arjona’s careful approach to filming the intimate scenes involved detailed conversations with the actors about nudity levels and various shooting approaches, aimed at finding a balance that allowed the scenes to convey the necessary emotions without crossing any boundaries. She underscored the importance of consistently checking in with the talent to ensure their comfort and well-being, highlighting her commitment to maintaining a respectful and professional working environment on set.

As discussions surrounding “Miller’s Girl” continue to unfold, both Freeman’s remarks and Arjona’s insights offer valuable perspectives on the film’s controversial subject matter and the measures taken to navigate it sensitively and responsibly within the confines of filmmaking.